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Prodigalson wrote: ↑ 10:02 pm (.) I also think its important to view these libraries through the lens of who is creating them. If you'd generously like to share the score and MIDI file, that would be great. Linos, I'd like to have a go at this - also will have a go at it with SSS for comparison, seeing as that is (one of) the other major string offering(s) from Spitfire. I must say that whole part you highlighted does not live up to Spitfire's usual standards in my opinion. Piet, yes, there is that phasing-ey sound again in Homay's video. I'll probably rather not hear this phrase rendered with Spitfire Studio Strings, but if anybody wants to have a go I'll happily provide the score and/or the midi file. In this case I even prefer it over CSS, which I originally used to mockup this piece. Gosh, I am a fan of Light & Sound's sound signature. Light & Sound Chamber Strings, with reverb added but no other processing:Ĭentury Strings, with reverb and panning added but no other processing:ĭimension Strings, heavily processed (eq, panning, reverb etc.) :Ĭinematic Studio Strings, out of the box: If anybody is interested in the sound of competitors Studio Strings, here is a phrase rendered with various Studio Strings libraries, each to the best of my abilities (meaning individually tailored midi data for every library).
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When Christian writes all of his music by conceptually separating shorts from longs and recording them as such, is it much of a surprise then that we don't get libraries conceptualized to attain the zenith of playability and technical achievement or legatos capable of playing anything more than what you might hear the latest "scandi noir" TV series?
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It's clear that Christian and Paul's workflow and stylistic preferences doesn't necessarily reflect the workflows of some of the more discerning members here.
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I also think its important to view these libraries through the lens of who is creating them. (And to a large extent I undersand that, the internet is a snake pit). Why would they take major criticism of a library on board and implement any changes when their business plan is to crank things out? One only has to watch a handful of Christians vlogs to get a sense that they don't exactly take forum opinions seriously. However, I just simply don't think they're listening. On the one hand I'd like to say we we should keep them aware of the concerns we have about this ( and other) products. How could they take a breath for a second to ruminate on this release when they have, what, 3, 4 more major releases to come this year? (I say that without knowledge, just a guess).
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If you own a Mac computer or an iPad you also have some basic strings in garage band for free that can be played solo and in ensemble mode as well.I feel like this library has given evidence to a theory Ive had for a while that with the amount of libraries they've been releasing of late there is simply no way for them to stay as invested in the return each library is giving to their customers. It is good for that purpose, but for the little money you are paying for session strings I would definitely go for them and see if they're enough for you. The only backside to them for me is that they only work as an ensemble, so you cannot use them if you need to make a solo violin line or accentuate a single instrument at some point because they always sound like a string ensemble.Ĭant you isolate the different parts of the keyboardsĪs esselfortium said, not with stringwerk, each key fires an ensemble and as far as I remember there is no option for soloing instruments in stringwerk.
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They have some very useful features like working with the velocity curve in real time or the arpeggiator. I've only tried Stringwerk and I like them, I bought them in one of the sales and use them sometimes when I need to fill up space when working with strings.